I think that's the function of a lot of psychiatrists and therapists, is keeping people afloat just long enough for them to get older.

I enjoy films where two characters are coming of age, just different ages. That's why I love 'Paper Moon' so much.

Well. There is a psychiatric occurrence we see in men-not often women-where they put all their hopes and dreams onto one person, so intensely that at some point it trips a wire in the brain circuitry, and that causes them to go, in a minute, 180 degrees the other way.

Is it needy? It's not. We don't need each other. We just really, really enjoy each other. And we're good together. We're good people together. And I have the funniest feeling. I can really, truly touch this all, this happiness and the sadness too, I can trace all of it with my fingers. It isn't theoretical or distant. This feels like me. This is me. I love him, and, for the first time in a relationship, I also like me. Every time he says "I love you," I answer, "I believe you.

I think it's sort of the hypothetical point where communism and fascism meet. They love tragedy, and they love surface beauty. You just watch it play out over and over in the media. It was the English edition of Glamour who were looking for stories of Iraqi war widows, but specified that they had to be attractive.

In other words, it was a struggle with himself. And the product of that struggle: anger, bitterness, resentment, envy or transformation, aspiration, hope, decency..the product of that struggle is the quality of your life and the nature of your soul.

What people don't understand when you've already been a suicide and pulled through is that after the sadness comes fear: Where is my mind going with this? I don't want to die. I do not want to die. When you don't have so much control over your own thoughts, over the myriad voices in your head, you don't know where they could go.