He was a super shiny boy and I liked the shape of him. Under the blanket. In the shower. I liked his shadow on the street and his imprint on the sofa. I hated the smell of hair gel on his head, but I loved it on the pillow. I love the smell of losing someone.

I don't see what's so good about being genuine. Clog dancing is genuine. Isn't being fake more of an achievement? At least it takes some inspiration. Like, sherbet dips, they're a special food. Think of all the additives and coloring and grinding that it takes to create a sherbet dip. But carrots? They're just out there, shrieking, "Hi, we're some carrots! Love us for it!" They never have to prove themselves.

If killing yourself is not an option anymore, you have to sink into the darkness instead, and make something out of it.

When I was younger I loved Betty Blue, and at the moment I'm completely besotted with Angelina Jolie. But sometimes I'm unnerved by the idea of men liking her. Because I think that there is a side to every man that really wants to watch a woman fall apart.

I enjoy films where two characters are coming of age, just different ages. That's why I love 'Paper Moon' so much.

It took a long time, but my heart now feels full when I think of him. When you fall in love again—which I have—it's funny the other things that come back in with that open-ness. You have this ghost chorus of the lovers who came before, but they're benign now, they're good spirits.

Jeff Bridges says that the reason he's one of the few stars in Hollywood whose made his marriage last for decades is that every time they think there's no more doors left to walk through in the room, they just keep looking and keep looking until they find one.