Everyone asks about how I'll feel about the tattoos and scars in thirty years. I always say: "I'll like them." I've always loved damaged monuments, in architecture and in humans.

It took a long time, but my heart now feels full when I think of him. When you fall in love again—which I have—it's funny the other things that come back in with that open-ness. You have this ghost chorus of the lovers who came before, but they're benign now, they're good spirits.

Is it needy? It's not. We don't need each other. We just really, really enjoy each other. And we're good together. We're good people together. And I have the funniest feeling. I can really, truly touch this all, this happiness and the sadness too, I can trace all of it with my fingers. It isn't theoretical or distant. This feels like me. This is me. I love him, and, for the first time in a relationship, I also like me. Every time he says "I love you," I answer, "I believe you.

Write a page every single day, even if what you put on the page that day is no good - it's the only way to get better.

From such a young age, I was raised and have raised myself on film to such an extent, that it has sometimes bled into my reality. There are times I've felt very Mulholland Drive, where people's dream worlds overlap with each other.

This boy has negative charisma. He walks into a room and the oxygen starts to evaporate. I guess that's why girls sleep with him. They find his awfulness transfixing. He's like a lousy 1970's disaster movie that they can't bring themselves to turn off, even though it is making their life worse every minute they leave it on.

People don't know. We don't know ourselves so we tell ourselves what we really know is other people. We could say the depth of pain we feel for the lovers who've left us is because we knew them so well.