Everyone asks about how I'll feel about the tattoos and scars in thirty years. I always say: "I'll like them." I've always loved damaged monuments, in architecture and in humans.

I think it's sort of the hypothetical point where communism and fascism meet. They love tragedy, and they love surface beauty. You just watch it play out over and over in the media. It was the English edition of Glamour who were looking for stories of Iraqi war widows, but specified that they had to be attractive.

In other words, it was a struggle with himself. And the product of that struggle: anger, bitterness, resentment, envy or transformation, aspiration, hope, decency..the product of that struggle is the quality of your life and the nature of your soul.

He was addicted to me and now he has gone cold turkey. He used to send me fifty texts a day. And now he is ignoring me. It's like I was once his Barack Obama. And now I am John McCain, conceding defeat like a sad-face sock puppet, knowing I have sold the best of myself. He, my electorate, not only does not want me, he actively feels pity.

If you don't know who you are, madness gives you something to believe in.

It took a long time, but my heart now feels full when I think of him. When you fall in love again—which I have—it's funny the other things that come back in with that open-ness. You have this ghost chorus of the lovers who came before, but they're benign now, they're good spirits.

When I am in a relationship, I don’t wear lipstick at all. I hate the smearing, the retouching, the constant throb of phoniness as you surreptitiously check the damage in your compact between kisses. I wear lots of mascara to compensate, different colors so I don’t get bored. When I am about to break up with a guy, he has full warning because I start wearing lipstick again.