I try not to look at stories on the Internet because I don't want to psych myself out. I kinda half to stay off the Internet. I'm not thick-skinned enough. I get too sensitive. I don't want it to effect what I'm doing.

I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.

The importance of balance is huge but I think it is for everybody. It's a big issue for at least anyone that I talk to in any career.

It's definitely a shock to go from being 15 in high school to working. There's no real cushion there. There's no preparation at all. You learn by doing.

My parents are both very funny but they're also relatively soft-spoken, normal human beings while I'm just a lunatic. I don't know where this loud, ballsy, hammy ridiculousness came from. I'm just glad I followed my goals and my parents did too. It's not like we even had a plan when I dragged my mom to Los Angeles.

I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'

You usually get a script and you tell people what the story's about, and they have no idea what's going on. Whereas with an adaptation, you come into it, and it seems like everyone you talk to has a million opinions on the cast and the way the story should be told.