What I find difficult about photo shoots is the line between playing a character - you're being asked by the photographer to take on a role like you would in a movie - and being a fancier version of yourself. It's about finding that line between being spontaneous and open to direction, but also trying to explain to photographers that the "me" is often taken out of context because it has all of this other stuff attached to it.

I have to kind of like switch heads. Sometimes I manage it seamlessly, and other times I feel rather all over the place. I feel a bit schizophrenic, like I have a split personality.

I looked at [Geena Davis] research and see things like 21 percent of filmmakers are women, only 31 percent of speaking roles in popular films are female - you start seeing it everywhere. It's so much bigger. So you've uncovered this groundbreaking data and research.

I have a real thing for Mexican directors. And I love Guillermo del Toro and Alejandro Gonzalez Inarritu.

I would love to persuade Christopher Bailey to get even just a section of Burberry that's, like, organic or free trade. I love him, he's a very good person and an amazing designer, and I have a lot of respect and time for him.

We want to end gender inequality, and to do this, we need everyone involved...We want to try to galvanize as many men and boys as possible to be advocates for change and we don't just want to talk about it. We want to try and make sure that it's tangible.

IN MY NERVOUSNESS FOR THIS SPEECH AND MY MOMENTS OF DOUBT, I'VE TOLD MYSELF FIRMLY, 'IF NOT ME, WHO? IF NOT NOW, WHEN?'