The story of my grandmother is that of a French woman from the provinces who through her perseverance and thirst for knowledge worked her way up to become the head of a school. She belonged to a generation that didn't travel much. But she believed in Europe and she wanted Europe. And she read a lot - she knew mythology, literature and the classics very well. She passed that on to me, along with the conviction that you can earn your own position in society.

The Élysée Palace is a place laden with history. It is a place where power has left its mark - over the course of centuries, ever since the revolution. You just sort of become part of it and continue the history. But, of course, there is a sense of gravitas.

I am very interested in writers from the Francophone world. I like Kamel Daoud a lot, for example. In "The Meursault Investigation" and "Zabor," he shows a passion for the French language, a very special way of writing that belongs to those who live on the other side of the Mediterranean Sea. It is language that connects us. It allows people there to cling to our history, our culture and sometimes also our values.

I refuse to give into the sad reflex of French envy because this envy paralyzes our country.

I am a strong believer that modern political life must rediscover a sense for symbolism. We need to develop a kind of political heroism. I don't mean that I want to play the hero. But we need to be amenable once again to creating grand narratives.

I don't believe that France is capable of reform - at least not in normal times. Fortunately, we are experiencing exceptional circumstances at the moment. It is a moment in which everything is possible.

We cannot create jobs without company owners, the state cannot create jobs by decree.