I am very interested in writers from the Francophone world. I like Kamel Daoud a lot, for example. In "The Meursault Investigation" and "Zabor," he shows a passion for the French language, a very special way of writing that belongs to those who live on the other side of the Mediterranean Sea. It is language that connects us. It allows people there to cling to our history, our culture and sometimes also our values.

I am a strong believer that modern political life must rediscover a sense for symbolism. We need to develop a kind of political heroism. I don't mean that I want to play the hero. But we need to be amenable once again to creating grand narratives.

That might sound shocking to some - and don't worry, I don't see myself as a king.

What does one have to do today to reconcile France? Distribute public money - that's what some expect, especially the radical left. They think that you help people by handing them money. But that is a fallacy because it is not me distributing the money, but rather future generations.

We aren't protecting the people who most need it when those who can contribute to the country's success emigrate. Contrary to what some claim, I am not getting rid of the wealth tax to help the rich.

In political life, dissatisfaction is remedied, or at least combated, through action. For as long as you are not totally satisfied, you remain active and keep going. In literary life, at some point you have to stop and allow others to read what you have written. I find that difficult. I am probably too proud. In any case, that is why I have never published anything. But I do plan to do so one day.

I come from a family in which music was important, especially German music - from I come from a family in which music was important, especially German music - from Johann Sebastian Bach to Ludwig van Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations. to Beethoven. I played a lot of piano, mostly Bach. I really loved Glenn Gould's interpretations.