I am very interested in writers from the Francophone world. I like Kamel Daoud a lot, for example. In "The Meursault Investigation" and "Zabor," he shows a passion for the French language, a very special way of writing that belongs to those who live on the other side of the Mediterranean Sea. It is language that connects us. It allows people there to cling to our history, our culture and sometimes also our values.

Michel Houllebecq is surely the novelist who best describes contemporary phobias and fears. He also succeeds perhaps like no other in portraying the postmodern character of our society. He addresses the possibilities of genetics at times, or Islamism, and infuses all of it with a certain amount of absurdity. I get a very strong sense of that in "Submission." The way he toys with the absurd makes him an author sui generis, one who stands out from the others.

Donald Trump is the head of a global power.

During the election, I traveled all across the country. I like my country and the French. I love talking with them and convincing them. It is my job each day to fight for my compatriots. But also to not succumb to demagoguery and lies or agree to favors.

I read each evening, at night and whenever possible during the day when I am traveling. I have always read.

France, of course, doesn't need anyone. I don't believe in saviors. But the way in which our country is governed needs to change radically. That starts with the politicians and goes right up to our electoral system and beyond. What we need is a fundamental renewal.

Perhaps I am following in the footsteps of François Mitterrand, who really did want to shape Europe. My predecessors, by contrast, thought it was best to say nothing at all and to keep all their options open. That may sound like a tactical approach, but perhaps it was simply because they didn't have any ideas for Europe at all.