I try to follow certain rules. Nothing in Élysée Palace should become habitual, because routine lends one a deceptive feeling of security. You begin not noticing certain things and lose your focus on what's important. Uncertainty and change keep you attentive. This place and, to a certain extent, my office, help me avoid developing habits.

Germany is different from France. You are more Protestant, which results in a significant difference. Through the church, through Catholicism, French society was structured vertically, from top to bottom. I am convinced that it has remained so until today.

Georg Hegel viewed the "great men" as instruments of something far greater. Hegel believes that an individual can indeed embody the zeitgeist for a moment, but also that the individual isn't always clear they are doing so.

Amadeus Mozart is to music something like Jean Nicolas Arthur Rimbaud was to literature. They are people who created something that nobody before them had. Absolute geniuses. You can recognize their harmonies among thousands.

I want to open up this palace . A concert will be held. We have invited school classes from socially disadvantaged neighborhoods and Élysée Palace staff and their families. That's 200 people who normally wouldn't have access to this building. Living in a place like this also means sharing it with others.

It is my duty to say: Something has to change. I say that very directly, in clear words so that nobody can misunderstand me. And I believe in our new initiative for continuing education and vocational training. For French people who are socially disadvantaged, this means real recognition and support.

Our political system encourages that. We don't have proportional representation. There's little renewal in our political class and it's always the same faces. There's also a lack of morals - it's one affair after the other. A system like that cannot be successful.