I think my best work has been in France with great men. It's been my great fortune to work with really great men - with Olivier Assayas, Raoul Ruiz, Jacques Rivette. I am tutored by them.

I just decided that I would not put my professional life on hold to raise children. I know that sounds selfish to a lot of people and I don't know if what I'm doing is the right thing. But that's the way I'm doing it.

It is not easy to grow old in this business, when you are a woman above all, in the cinema.

I keep reading that I'm cold. But I'm not, I'm shy. And I play a lot of women of fire and sexuality like an animal - so I'm cold on one side and fiery on the other.

I played football when I was little. I didn't want to be an actress at all, I wanted to be a majorette in an Australian circus. That was my ambition.

Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, "oh!", and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.

I'm trying my best to keep my private life guarded. It's not easy at all. Non, non, non.