It's the best feeling when you wake up and it's warm and cozy, and you don't have to go to work.

I feel like I've come out of this grown up, maybe because I live through the character vicariously and she grows up so much during the course of this story.

I love to create and I love to be challenged and I love to do things that are scary, so I think I would probably think about jumping off a bridge if somebody told me that's going to make that shot real great. I'd be like, "Okay, here we go, let's do it." Like, yeah.

It's the best feeling when you wake up and it's warm and cozy, and you don't have to go to work.

I've never had siblings, I didn't grow up in a big family; it was just me and my single mom. And hectic family dysfunction was actually something that I craved.

Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!

That's my dream to be old enough and mature enough that I won't be considered an "old lady" if I have a house with a barn. Because I already do needlepoint.