I'm very underground.
Ensemble is hard to do. It's like 3-D chess.
If we all knew we were going to live to be 150 years old, we'd all approach our lives very differently.
I write my plays to create an excuse for full-tilt acting and performing.
The world intrudes in my brain daily. Since my brain is dripping with all kinds of stuff that's out there in the world, that I can't seem to be able to shut out, it has to end up being in my work as well.
I provide the bricks and mortar with the words and situations - the director and the actors and the designers build the house.