I'm going to do everything I can to keep from being mainstream.

I think a lot of times, artists and albums can become formulaic. You're known for a certain thing, and you continue to do that. You just change the subject matter, but it's the same song. And that's what you do.

If I wanted the ticket to be a $200 ticket, I'd have made it a $200 ticket, but I don't want it to be that.

Man, if anybody knew the path that we've been on, no one in their right mind would ever try to duplicate it. That's something Nashville always tries to do, though. If something is successful, they try to repeat it by telling other people, "Hey, do what that guy did." I just don't think it works that way. The first one who gest there, the one that cuts the path ... it's always the roughest path but I think it's got the most reward at the end.

I'd trusted my fan base, I'd trusted the my gut, and I'd trusted the music. ...the real experts are out there in front of you every night. They're the ones buying the tickets and coming to the shows. They're the professionals in this business, and they're the only ones who can tell you which songs have the ability to move them.

The most important thing for me as an artist is having an identity.

I can't stand making records.