Technical problems are like gremlins. They come and go.

So that is new in terms of where I've seen the shifts. Otherwise, it's all about taste and taste just keeps going round and round and round.

I love all my Wrights and it would be impossible to say which one I love more, but if you really pushed me, it would be Joe.

The problem with Hot Fuzz and Shaun of the Dead is that they worked brilliantly in the UK, the US, and Australia; internationally they haven't worked so well because people don't know the films as well as in the English speaking languages. So when it comes to putting the budgets together it's quite challenging. So those are the problems you have.

Technical problems are like gremlins. They come and go.

Something like small English films were in vogue you had something like The Crying Game and everyone piled into London and wanted to make small English movies.

But in the former, those movie sets that you've been on like that, even if they're huge movies and most of its being spent in special effects afterwards, I think that's the way that we're going.