But in the former, those movie sets that you've been on like that, even if they're huge movies and most of its being spent in special effects afterwards, I think that's the way that we're going.

The UK needs more first class studio space to encourage the growth of the film and TV sector.

The pay window will be: you can choose how and when you see, whether you see it on Comcast or Warner's Cable delivery system or Sky in the UK or you can buy it through Apple, or you might even buy it directly from the studio's site. Who knows? But that will be it. You'll go to the cinema and you'll find a way of digitally interacting with the piece; you'll either buy it or rent it or whatever.

Making movies is like herding cats.

It wasn't like we cut songs out; we cut bits of songs, bits of action or bits of whatever. So we would have to go back in get a full orchestra re-orchestrate it, re-score it, re-record it. It's a massive job. But, if there's a demand we can always discuss it.

I love all my Wrights and it would be impossible to say which one I love more, but if you really pushed me, it would be Joe.

So that is new in terms of where I've seen the shifts. Otherwise, it's all about taste and taste just keeps going round and round and round.