The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.

My first film as an actor was 'Fast Times at Ridgemont High,' a glorious experience that spoiled me for future films.

I realize I'm a very lucky man. I love what I do, I love films, TV and theater, and the fact that I'm able to make a living at it staggers me.

I don't want to see the zipper in the back of the monster suit. Like everybody else who goes to the movies, I want to believe the monster is real.

There's a strange sense of accomplishment in making an independent film. Everything's against you; there's no time, and even less money - you bring a bottle of glue, chip in twenty bucks, and hope you all make it through the day. If you manage to finish it and it actually turns out to be pretty good, it's thrilling.

I think I'm wealthy. I make a good living for what I do. Well, it depends. If I'm doing an independent film I'm making no money - probably losing money. But if I'm doing a studio film, I'll make a decent wage. I can live for a year without working.

I'm not sure who's right, who's wrong, but it doesn't matter. Sometimes you just have to do what you're told. That's who we are!