I am not quite sure how writing changes things, but I know that it does. It is indirect-like the trails of earthworms aerating the earth. It is not always deliberate-like the tails of glowing dust dragged by comets.

In a world where women work three times as hard for half as much, our achievement has been denigrated, both marriage and divorce have turned against us, our motherhood has been used as an obstacle to our success, our passion as a trap, our empathy for others as an excuse to underpay us.

I convinced myself that sadness and compromise were the ways of the world.

Each artist or writer who works in Venice comes to believe that the city yields its most special secret to him or her alone.

The most important thing for a writer is to be locked in a study.

I was always a feminist. My mother was a feminist; my grandmother was a feminist. I always understood women had to fight very hard to do what they wanted to do in the world - that it wasn't an easy choice. But I think the most important part is that we all want the right to be taken seriously as human beings, and to use our talents without reservation, and that's still not possible for women.

A concern with 'public morality' is - if not the last refuge of a scoundrel - the first foray of the fascist.