Think of every audition as a chance to perform and you will have fun doing it.

I have mentored two young aspiring actors and I wish that I had known I could look for a mentor because it would have been a lot easier to be able to ask those questions to someone who had gone through it already.

What better motivation is there to get in better shape than imagining your thighs exposed, watusyin' and a shimmyin' all over the stage.

I hardly ever belted; I was a soprano and a comedienne and intended on doing mostly soprano legit roles but my first equity show, to my surprise, was Blues in The Night at The Cleveland Playhouse.

I can't say what my greatest strength between acting and singing is...I'll leave that to the critics. Maybe my best strength is performance itself, being with the audience and feeling what they feel, bouncing off of them.

I think any good singer needs to be a good actor. You have to be able to tell the story.

I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.