I can't say what my greatest strength between acting and singing is...I'll leave that to the critics. Maybe my best strength is performance itself, being with the audience and feeling what they feel, bouncing off of them.

My dream roles haven't been written yet. My favorite thing to do is to dive into the uncharted territories of a new script that's untainted by someone else's idea of the character.

I hardly ever belted; I was a soprano and a comedienne and intended on doing mostly soprano legit roles but my first equity show, to my surprise, was Blues in The Night at The Cleveland Playhouse.

When you don't get a role, it wasn't meant to be.

Every decade has a completely different sound not just musically but vocally.

I have mentored two young aspiring actors and I wish that I had known I could look for a mentor because it would have been a lot easier to be able to ask those questions to someone who had gone through it already.

I think any good singer needs to be a good actor. You have to be able to tell the story.