My dream roles haven't been written yet. My favorite thing to do is to dive into the uncharted territories of a new script that's untainted by someone else's idea of the character.

I definitely appreciated '60s music. My uncle and I used to take long road trips to visit my grandmother when I was going to NYU. We'd listen to Petula Clark and other 60's music and sing at the top of our lungs the whole time.

There are definite vocal trends for every generation as well as accents and I'm not talking about regionalisms.

I hardly ever belted; I was a soprano and a comedienne and intended on doing mostly soprano legit roles but my first equity show, to my surprise, was Blues in The Night at The Cleveland Playhouse.

Try not be resentful or jealous of other people's success. Know that your path as a performer is going to be very different than others. Try your best not to compare.

I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.

Every decade has a completely different sound not just musically but vocally.