As far as the fashion of mod 60's goes...I've always loved it. I bought a mod dress while still in college for an audition I had for Marsha Brady in The Brady Bunch Movie. It may have been a little too mod for the American 60's, but I think it worked just fine. I ended up wearing it a lot and it became one of my favorite pieces.

I can't say what my greatest strength between acting and singing is...I'll leave that to the critics. Maybe my best strength is performance itself, being with the audience and feeling what they feel, bouncing off of them.

I hardly ever belted; I was a soprano and a comedienne and intended on doing mostly soprano legit roles but my first equity show, to my surprise, was Blues in The Night at The Cleveland Playhouse.

I have mentored two young aspiring actors and I wish that I had known I could look for a mentor because it would have been a lot easier to be able to ask those questions to someone who had gone through it already.

I think any good singer needs to be a good actor. You have to be able to tell the story.

I initially told people I wanted to be a dancer and ultimately a "Rockette." I didn't really know what a musical theatre performer was other than the Shirley Temple type.

Try not be resentful or jealous of other people's success. Know that your path as a performer is going to be very different than others. Try your best not to compare.