One often feels as though something had happened before, I remember. It comes quite close to you and stands there and you know it was just this way once before, exactly so; for an instant you almost know how it must go on, but then it disappears as you try to lay hold of it like smoke or a dead memory. "We could never remember, Isabelle," I say. "It's like the rain. That has also become one, out of two gasses, oxygen and hydrogen, which no longer remember they were once gasses. Now they are only rain and have no memory of an earlier time.

It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.

Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth! Youth! We are none of us more than twenty years old. But young? That is long ago. We are old folk.

You may turn into an archangel, a fool, or a criminal—no one will see it. But when a button is missing—everyone sees that.

But probably that's the way of the world - when we have finally learned something we're too old to apply it - and so it goes, wave after wave, generation after generation. No one learns anything at all from anyone else.

In any case, the bayonet isn't as important as it used to be. It's more usual now to go into the attack with hand-grenades and your entrenching tool. The sharpened spade is a lighter and more versatile weapon - not only can you get a man under the chin, but more to the point, you can strike a blow with a lot more force behind it. That's especially true if you can bring it down diagonally between the neck and the shoulder, because then you can split down as far as the chest. When you put a bayonet in, it can stick, and you have to give the other man a hefty kick in the guts to get it out.

No soldier outlives a thousand chances.