I don't chart out the life histories of the people I play. If I did, I'd be in trouble. I work with my heart and my head, and naturally emotions follow.

A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.

If John Wayne were alive, he’d be rolling over in his grave!

Everything I do has a moral to it.

I am very proud of having won Oscar because I know what I put into it. I know that the people who voted for me voted because they thought I was the best at that time. It's a wonderful thing to look up there and see that you achieved something that your peers gave to you and appreciation for your work. That's most of all what I think about when I see the Oscar.

Writers used to make such wonderful pictures without all that swearing, all that cursing. And now it seems that you can't say three words without cursing. And I don't think that's right.

I like to keep at my craft. I like to keep reading scripts, whether I'm in it or not because of the fact that what would I do in a certain case? How would this happen or how would that go? I like to keep working with my mind, so when I do perform I have something to perform with, and it's not just like trying on new clothes. You're trying on a suit, but you know where the heck the pants go.