Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.

In fact, part of the Netflix series is drama.Beyond re-enactments. Why not invent something new?

What's interesting is that Citizen Kane was meant as an anti-fascist/anti-capitalist melodrama and for Donald Trump it becomes just another kind of misogynistic claim that misses the point.

I actually felt diminished by watching [Donald Trump's]. If this is what discourse has become in America, who even wants to know about it? It's just too demoralizing and unsettling.

There's this crazy thinking that style guarantees truth. You go out with a hand-held camera, use available light, and somehow the truth emerges.

I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.

I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.