The very idea of photography is as Oliver Wendell Holmes said in the 19th century, "it's a mirror with a memory."

The chance that any given sentence is a lie, rather than a truth, I think, is fairly great. An intentional lie, a self-deception, a misconception - there are lots of categories of untruth, not one grab bag. And hotographs can reveal something to us, and they can also conceal things.

War is such a peculiar thing - inaugurated by the whims of few, affecting the fate of many. It is difficult, if not impossible, thing to understand, yet we feel compelled to describe it as though it has meaning - even virtue. It starts for reasons often hopelessly obscure, meanders on, then stops

Truth exists independent of style. It involves all kinds of issues. Properly considered, it's a quest, a pursuit. To say that vérité is more truthful than something that is narrated is just misplaced. Completely wrong. And the fact that people still talk about it as though they're really talking about something... it puzzles me greatly. A moment of reflection about it tells you that it makes no sense!

People often trust low-res images because they look more real. But of course they are not more real, just easier to fake. [...] You never see a 10-megapixel photograph of Big Foot or the Abominable Snowman or the Loch Ness Monster.

Right now, we live in bad times in this country, and the fact that there are filmmakers addressing political and social issues is to me a good thing.

Part of the mystery of any given photograph is the fact that it was taken at a certain time and in a certain place and time keeps moving on. A photograph might be a moment in time preserved, but the world continues to change around it.