Photographs attract false beliefs the way flypaper attracts flies.

There are artists who are very well known and many of us feel they should be less well known, while there are others who aren't well known and many feel deserve more attention.

People like nonfiction presented to them in a certain way, so that they don't have to think about whether it's true or not. They like it to have that imprimatur of respectability, of genuineness.

I gave someone a perverse argument not so long ago about why advertising is better than movies. You want to hear it? Movies operate from a really disingenuous premise, that people are heroes. I know a lot of people and have had an opportunity over the years to observe them. Are they heroes...? Let's put it this way. Advertising tries something simpler and more believable: Products as heroes. I guess the idea is: When all else fails, put your faith in conditioner.

Robert Nozick [a Havard philosopher, famous for his book "Anarchy, State and Utopia"] defined revenge as delivering the message that you know what someone has done, and it doesn't involve hurting them or doing anything to them beyond that. It's just delivering the message that their crime has been noted not just by its victims, because the victim might be dead, but by another who has a different moral view and will challenge the perpetrator's view.

I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.

I like to point out that people very often confuse the idea that truth is subjective with the fact that truth is perishable.