I used to feel that if I say something's wrong, I have to say how it could be made right. But what I learned from Kurt Vonnegut was that I could write stories that say I may not have a solution, but this is wrong - that's good enough.

If you were to do the world championship of victimhood in modern times, then the finals would probably be between Jews and Palestinians. I think the Jews win: we, Isralians, go from the Spanish Inquisition to pogroms to the fake Protocols of the Elders of Zion to World War II and the Holocaust - it's a horrible history. And if you look at the Palestinian world, victimized by every entity in the Middle East, they were massacred in every country. I think that, in Israel, the greatest fear that people have, and I have it, too, is this fear of genocide.

I usually start writing stories from tone and not from content - kind of like people who create music and invent the lyrics later on.

He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.

Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.

The fact is that everything I have in my pockets is carefully chosen so I’ll always be prepared. Everything is there so I can be at an advantage at the moment of truth. Actually, that’s not accurate. Everything’s there so I won’t be at a disadvantage at the moment of truth.

When you work on a graphic novel or a film with people you've been together through a lot and you've exposed your secrets and weaker sides to each other.