I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.

He felt full of a dense and sour substance that was blocking his chest, and it wasn't grief. After all those years, life now seemed like no more than a trap, a maze, not even a maze, just a room that was all walls, no door.

There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.

I have to admit that talking authoritatively about my students' stories can make me feel, at times, like an astronaut who has just landed on a new planet and insists on giving guided tours to its inhabitants.

The fact is that everything I have in my pockets is carefully chosen so I’ll always be prepared. Everything is there so I can be at an advantage at the moment of truth. Actually, that’s not accurate. Everything’s there so I won’t be at a disadvantage at the moment of truth.

What connects me so strongly to Israel is the fact that I'm second generation. My parents said, "We have a place where we can just be ourselves and nobody says, 'Don't tell me your opinion, you damn Jew, go somewhere else.'" Then you go to this country and other Jews tell you to shut up. It's frustrating. I think that we have a bad government and that some people are fearful. They're going with the class bully. But I really truly believe - you read it in my stories - that deep inside, people have goodness.

It's funny, but I think my stories - the good ones - they're much smarter than I am.