Sometimes people save the best part of themselves for their art.

I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi; something with very important subject matters.

And the joy of my job - and it's really true - is that it's constantly evolving and changing.

The girls who like me aren't the ones I like. Or, if I do and they want to commit, I suddenly need tons of time with my friends.

The most creative and most periods of my life that were, had the most growth, were the ones where I was perceived to be failing. Perceived success is a, is really hard 'cause it doesn't really, it's not asking you to grow, see failure is asking you to grow.

I've had several moments in my career where it seemed like I might not age out of the bracket the world wants to put you in. It's hard to keep growing up inside the performing arts. It's very difficult, and presents a lot of unique challenges.

It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.