I can imagine nothing more tiresome than always to speak of people as if they were listening at the door.

acceptance is an art that must be mastered if we want to keep our friends for the span of life that remains to us, and presently step off the stage with our self-respect intact.

I can imagine nothing more tiresome than always to speak of people as if they were listening at the door.

I feel I must fight for [my music], because I want women to turn their minds to big and difficult jobs; not just to go on hugging the shore, afraid to put out to sea.

I have often noticed that when Fate has a phenomenal run of ill luck in store for you, she begins by dropping a rare piece of good fortune into your lap, thereby enhancing the artistic effect of the sequel.

the writer must resist this temptation [to quote] and do his best with his own tools. It would be most convenient for us musicians if, arrived at a given emotional crisis in our work, we could simply stick in a few bars of Brahms or Schubert. Indeed many composers have no hesitation in so doing. But I have never heard the practice defended; possibly because that hideous symbol of petty larceny, the inverted comma, cannot well be worked into a musical score.

If a young dog strays up the aisle during church no one says anything, no one does anything, but, none the less, he soon becomes aware that something is wrong. Even so, as the distance between myself and the hearthrug diminished, did I become aware that something was very wrong indeed.