I don't like to design single objects. I like my pieces to have a relationship to each other. They can be mother and child, like the Schmoo salt and pepper shakers, or brother and sister like the Birdie salt and peppers, or cousins, like most of my dinnerware sets.
My designs are meant to attract the hand as well as the eye.
I don't know the difference between working and not working.
My work is very bodily. It's not a shell, but a body.
If you think of beautiful things, you’re not sad.
When you begin your work, nothing exists. When it is finished it looks as if it just happened, spontaneously, effortlessly, convincingly. It looks as though it had been there all along.