You know, the whole philosophy of ad hoc combinations has its strengths and its weaknesses.

A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I always like that when that happens, when something comes that is more than the sum of the parts.

Those early steps are very important in understanding the evolution. But in themselves, maybe now you need the later records to understand the significance of the earlier records!

I think the voice does that perfectly adequately without being imitated by other instruments.

You know, the whole philosophy of ad hoc combinations has its strengths and its weaknesses.

So what starts is ad hoc and you never know where it's going to lead, so it's important to keep an open mind about those things.

I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.