Whenever I talk about being a feminist or speaking out for equality, it's also about the idea that men are treated with respect. It's not just about treating women like people and not abusing them. You also can't abuse men and you can't say things like, 'Oh, he was just a man. He didn't know any better.' Or 'He's a man, what did you expect?' That's just as abusive and damaging to men, I feel.

I got the part [in Into the Forest], I started taking ballet again to try to regain my strength back. I actually love that it was changed to Crystal Pite's modern dance. And I wouldn't even really call it modern dance because it feels like it's in its own genre.

There was something so cool about being able to carry this film [Into the Forest] together [with Ellen Page] and to play off of each other. It was like having the most worthy tennis opponent.

If I'm going to do anything extreme, I want it to have consequences.

Lisa Joy is so incredible, and she's always on set making sure everyone is okay and being respectful. We have a zero-tolerance policy on that set [ in the Westworlds]. If anyone is inappropriate or makes you uncomfortable, they're literally gone in two seconds. It's no joke. It's very professional.

I think I did realize that early on, and then I went through a fun phase where I was figuring out who I was and the different sides of myself. I think like most women, I bought into a certain ideal of beauty that I didn't quite fit into, and I tried to pretzel myself and alter myself to be what I was told is beautiful, and then I realized that you are in control of what you think is beautiful.

Everyone in the top of their fields is pouring everything they have into this, which is why it was such a massive undertaking and why filming was extended. It's not because things are going badly. It's because they're so massive and it's so complicated and we want to get it right. We're not just phoning it in. We're taking our time with it because it's really important.