I was always pale. And I'm glad that I can be open about my paleness now.

I actually fell asleep during one take with Jeffrey Wright because I relaxed myself so much. I just stayed so still that I just nodded off, and kind of snapped back into it in the middle of the scene.

I was always into very androgynous things. Guys, girls... I'm into androgyny in general.

I couldn't stop throwing theories at [Jimmi Simpson], and eventually I was like, "I'm sorry, I'm sorry. I will stop talking about the show [Westworlds]. I promise."

I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.

I definitely think there is a shift happening right now in terms of visibility, but there's still a choice you make as a public figure on what to do or how to present your sexuality.

I haven't got many tattoos, but the two that are most important to me are music tattoos. I have a black heart with a lightning bolt down the middle. And the black heart was for Manson and the lightning bolt down the middle was for David Bowie. I have black diamond with circles that keep swirling and swirling, and it's surrounded by sort of crazy diamonds because Pink Floyd's "Shine On You Crazy Diamond" really inspired me, and everybody's called me Crazy Diamond since I was a teenager, so it was always important to me.