Working with men like Al Pacino, Tommy Lee Jones, Michael Douglas, Edward Norton, David Morse, and Kevin Costner, you have to step up and look them dead in the eye and, you know, scare them. I can see it when it happens, and they don't know it's coming. It's the best look on any man's face when he gets paired with a woman and he doesn't expect her to kick his ass. I'm not saying I've kicked any of their asses, but I feel like I have held my own and said, "I am a force to be reckoned with." It's about not being intimidated. I feel it makes me a stronger woman.

I also loved that there [in Into the Forest] was a beautiful balance to it, where they were strong and survivors and doing things in the film that we normally only see men do, but they were still human and vulnerable, and they still broke and had moments of weakness. That's something that we don't often get to see in these films, either.

I hope to have a career like Jodie Foster, going from child to adult actress.

You always have that moment where you grow up and you're like, "Oh, my god, I'm being exactly like my mother." I think that's everyone's greatest hope and worst fear.

I can't say I'm one way or the other because I've honestly fallen in love with a man and I've honestly fallen in love with a woman. I don't know how you label that, it's just how it is.

The secret lives of politicians are always shady. People need to accept the fact that their leaders aren't perfect. No one is.

There's really barely any sex in [The Westworlds]. But there is a lot of nudity. And it was always described to me as being done in a way that was supposed to be kind of sterile and mannequin-like and dehumanizing.