Working with men like Al Pacino, Tommy Lee Jones, Michael Douglas, Edward Norton, David Morse, and Kevin Costner, you have to step up and look them dead in the eye and, you know, scare them. I can see it when it happens, and they don't know it's coming. It's the best look on any man's face when he gets paired with a woman and he doesn't expect her to kick his ass. I'm not saying I've kicked any of their asses, but I feel like I have held my own and said, "I am a force to be reckoned with." It's about not being intimidated. I feel it makes me a stronger woman.

The running joke on set [of the Westworlds] was that everyone at some point thinks that they're Anthony Hopkins. Like, "Guys, I think I'm Dr. Ford. I'm Anthony Hopkins. That's the twist." We love all of the theories. Part of the fun of that show is figuring it out.

I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.

When I watch the show [Westworld], it leaves me looking at the world around me in a new way. It really stays with you. And it's one of those things that you have to figure out. You're going to get little clues along the way, and every time you think you know what's up, we're going to flip it around. It's going to take you for a really awesome, crazy ride, but it's a really, really revolutionary character for women. There's a lot of really fun stuff to look forward to.

I think people are really starting to rebel against that. And I think there's going to be more and more gray areas. Hopefully that means we'll see more stories with characters that could be interchangeable with men.

And, look, I'm sorry if I have blond hair and blue eyes and my boyfriend looks like a vampire. What do you want me to do about it?

J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it [Westworld] was going to be amazing.