Working with men like Al Pacino, Tommy Lee Jones, Michael Douglas, Edward Norton, David Morse, and Kevin Costner, you have to step up and look them dead in the eye and, you know, scare them. I can see it when it happens, and they don't know it's coming. It's the best look on any man's face when he gets paired with a woman and he doesn't expect her to kick his ass. I'm not saying I've kicked any of their asses, but I feel like I have held my own and said, "I am a force to be reckoned with." It's about not being intimidated. I feel it makes me a stronger woman.

I'm a big karaoke fan and I also love Justin Bieber unashamedly.

All of the action, and the Wild West West fun, crazy, HBO stuff is in there and it's all amazing, but what separates the show [ Westworld] is that it's an existential drama. It's an intellectual nightmare. It is all very much based in reality. A lot of the technologies that we're exploring is stuff that we're working at, right now. All of this is not that far away. It's taking a look at humanity and the state that we're in now and what would happen, if we kept on going the way that we're going and we created this artificial intelligence.

I'm opening the doors, I'm buying dinner. Yeah, I'm romantic.

I couldn't stop throwing theories at [Jimmi Simpson], and eventually I was like, "I'm sorry, I'm sorry. I will stop talking about the show [Westworlds]. I promise."

It was such a bigger picture [ Westworld] than what I thought it was. It's more of a revolution than a TV show.

I have my own demons, my own pain and darkness, but I choose to embrace them and look at them head-on and deal with them. Then it doesn't hurt, and you learn from it.