You always have that moment where you grow up and you're like, "Oh, my god, I'm being exactly like my mother." I think that's everyone's greatest hope and worst fear.

I like having surprises in the morning for each other on the bedside table, so when you wake up you have something immediately. Just like a little teaser. Then I think it's nice to stay in bed all morning. It's simple.

Whenever I talk about being a feminist or speaking out for equality, it's also about the idea that men are treated with respect. It's not just about treating women like people and not abusing them. You also can't abuse men and you can't say things like, 'Oh, he was just a man. He didn't know any better.' Or 'He's a man, what did you expect?' That's just as abusive and damaging to men, I feel.

I definitely think there is a shift happening right now in terms of visibility, but there's still a choice you make as a public figure on what to do or how to present your sexuality.

Dear God, I've done so many crazy hair colors and outfits and makeup looks where I look back and it's like, What the hell was I doing? You can't be afraid to make mistakes, you have to take risks. We all have those moments we look back on and wish weren't captured on film, but we're not alone in that.

There's really barely any sex in [The Westworlds]. But there is a lot of nudity. And it was always described to me as being done in a way that was supposed to be kind of sterile and mannequin-like and dehumanizing.

You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.