Authentic and free. The Gucci guilty woman is about living in the moment. She's a modern woman, someone who really owns herself and her sensuality. It's supposed to be a very empowering and sensual fragrance.

I always feel like one of the guys and very unintimidated.

I think my favorite theory so far is that I am actually a robot. That's pretty great. In real life.

I literally cried on Lisa Joy's shoulder when it ended. Just, "Thank you." Because those roles [like Dolores in the Westworld] are few and far between. What an amazing opportunity. It was an honor and a privilege to get to bring it to life, and I hope she gives other people the strength that she's given me as a survivor and as a human. I don't even mean to make it just a woman's issue because obviously it's men and women, but it certainly is an epidemic with women.

I love the contrast of this side of [Dolores from the Westworlds] coming out, this tough fighter coming through this sort of Disney princess. There's something really powerful about that. But I was really excited to get some pants.

Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.

Anytime you have to get intimate on camera, it's always a little interesting. You have to trick your brain almost, so that you don't get stage fright or get too much in your head where you're super uncomfortable.