Getting to share a project with Anthony Hopkins is incredible. It's like watching Da Vinci paint or something - you're reminded why you do what you do.

I would want my son to value himself as a person. To hold himself to a higher standard, and to not listen to all the stuff that's shoved down men's throats about what they're supposed to do and how they're not supposed to feel. I want him to know that he's a person and he's allowed to have emotions and be vulnerable. That doesn't mean he's not strong.

I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.

I have my own demons, my own pain and darkness, but I choose to embrace them and look at them head-on and deal with them. Then it doesn't hurt, and you learn from it.

And, look, I'm sorry if I have blond hair and blue eyes and my boyfriend looks like a vampire. What do you want me to do about it?

Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.

I literally cried on Lisa Joy's shoulder when it ended. Just, "Thank you." Because those roles [like Dolores in the Westworld] are few and far between. What an amazing opportunity. It was an honor and a privilege to get to bring it to life, and I hope she gives other people the strength that she's given me as a survivor and as a human. I don't even mean to make it just a woman's issue because obviously it's men and women, but it certainly is an epidemic with women.