I did my first nude scene in Mildred Pierce, and that was absolutely terrifying, but it was for an important part of the film and for a reason, and it's incredibly powerful. It's not gratuitous. I think the stuff they show on MTV is so much worse.

I couldn't stop throwing theories at [Jimmi Simpson], and eventually I was like, "I'm sorry, I'm sorry. I will stop talking about the show [Westworlds]. I promise."

Anytime you have to get intimate on camera, it's always a little interesting. You have to trick your brain almost, so that you don't get stage fright or get too much in your head where you're super uncomfortable.

I also loved that there [in Into the Forest] was a beautiful balance to it, where they were strong and survivors and doing things in the film that we normally only see men do, but they were still human and vulnerable, and they still broke and had moments of weakness. That's something that we don't often get to see in these films, either.

[The dancing] was a challenge. It was fun, though. I was nervous, at first, because I danced so long ago that it was weird picking it back up.

I haven't got many tattoos, but the two that are most important to me are music tattoos. I have a black heart with a lightning bolt down the middle. And the black heart was for Manson and the lightning bolt down the middle was for David Bowie. I have black diamond with circles that keep swirling and swirling, and it's surrounded by sort of crazy diamonds because Pink Floyd's "Shine On You Crazy Diamond" really inspired me, and everybody's called me Crazy Diamond since I was a teenager, so it was always important to me.

Sometimes I forget that I am even watching myself, realizing that's me. It's like you almost become a fan yourself: You are just this normal person watching this show, and then you realize that it's your show. It's weird sometimes.