I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.

I'm constantly changing, I'm constantly growing. I think I'm a little controversial... I just try and keep some mystery, so hopefully people can't really put their finger on it.

There's really barely any sex in [The Westworlds]. But there is a lot of nudity. And it was always described to me as being done in a way that was supposed to be kind of sterile and mannequin-like and dehumanizing.

I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.

You can become very reclusive in Hollywood. This gave us permission to be able to open up and be intimate with somebody that you might not normally be kind of brave enough or confident enough to do so with.

Working with men like Al Pacino, Tommy Lee Jones, Michael Douglas, Edward Norton, David Morse, and Kevin Costner, you have to step up and look them dead in the eye and, you know, scare them. I can see it when it happens, and they don't know it's coming. It's the best look on any man's face when he gets paired with a woman and he doesn't expect her to kick his ass. I'm not saying I've kicked any of their asses, but I feel like I have held my own and said, "I am a force to be reckoned with." It's about not being intimidated. I feel it makes me a stronger woman.

I think it's a feminine energy, not necessarily men versus women, but a nurturing, mothering, loving energy. I think definitely. But I think you need a balance of both. I think right now we're just so in the extremes and people are just conditioned and given these gender assignments very early on.