We trusted the writers and showrunners [in Westworlds] so much because they're so brilliant and the writing's so incredible. It really was like playing Marco Polo, where you just kind of followed their voice and they would lead you to water.

I adore Susan Sarandon, she's just so cool, and brilliant, and beautiful. I just like her whole vibe - off- and on-screen.

We trusted the writers and showrunners [in Westworlds] so much because they're so brilliant and the writing's so incredible. It really was like playing Marco Polo, where you just kind of followed their voice and they would lead you to water.

I hope to have a career like Jodie Foster, going from child to adult actress.

Whenever I talk about being a feminist or speaking out for equality, it's also about the idea that men are treated with respect. It's not just about treating women like people and not abusing them. You also can't abuse men and you can't say things like, 'Oh, he was just a man. He didn't know any better.' Or 'He's a man, what did you expect?' That's just as abusive and damaging to men, I feel.

All of the action, and the Wild West West fun, crazy, HBO stuff is in there and it's all amazing, but what separates the show [ Westworld] is that it's an existential drama. It's an intellectual nightmare. It is all very much based in reality. A lot of the technologies that we're exploring is stuff that we're working at, right now. All of this is not that far away. It's taking a look at humanity and the state that we're in now and what would happen, if we kept on going the way that we're going and we created this artificial intelligence.

Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.