It seems to me that we spend an inordinate amount of time and attention on fixing ourselves when we could really be directing that out to serving others.

Naming things, breaking through taboos and denial is the most dangerous, terrifying, and crucial work. This has to happen in spite of political climates or coercions, in spite of careers being won or lost, in spite of the fear of being criticized, outcast, or disliked. I believe freedom begins with naming things. Humanity is preserved by it.

Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.

Terence McKenna says, "The culture is not your friend." I am not sure we can change this culture. But I think we can rise above it and create a new world. That's why I so deeply believe in alternative spaces. That's why I believe in the power of art and activism.

You have to give to the world the thing that you want the most, in order to fix the broken parts inside you.

If you just look at the fact that a woman was central in twittering the Cairo revolution, and women were central to the Tunisian uprising. Women are at the center of everything right now and moving everything forward. And I do think in the next year or two, we are going to see such a woman spring, such a rising.

When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.