I think to be honest, that being is inside. I meet that being in so many people that I meet everywhere in the world and when I do meet that being, in other people, what I want to ask is "How do we keep opening ourselves so that we can become as vulnerable and as willing to live in the deepest complexity and ambiguity and truth that we can?

If you just look at the fact that a woman was central in twittering the Cairo revolution, and women were central to the Tunisian uprising. Women are at the center of everything right now and moving everything forward. And I do think in the next year or two, we are going to see such a woman spring, such a rising.

I'm feeling a kind of liberty to write about what's interesting to me without worrying about what I should be writing about. And that feels good.

Each time I had five hours of the poison going into me, I just pictured everything that needed to be burned away. I pictured wars, I pictured the things my father had done to me, I pictured brutality, and when it was over, I am light.

Dance is holy, sexual, and it's a way of being very powerful and a little dangerous without being violent.

This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.

Stop trying to fix your body. It was never broken.