I literally would go to see Tina Turner any opportunity I had because being in the presence of Tina Turner was like being in the presence of transformative energy, and feminist transformative energy. I remember thinking to myself, whatever this is, it's revolution. Whatever this is, it's change embodied in a woman.

I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.

Looking at it, I started crying. Maybe it was knowing that I had to give up the fantasy, the enormous life consuming fantasy , that someone or something was going to do this for me – the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms.

When you listen to other women’s stories, you begin to understand your own better, and you begin to find ways back through and with each other.

People didn't feel so much shame around it and that they didn't feel so much humiliation around it. And the other thing that people have given me a lot of feedback about - something I'm very excited about - is all the stuff around chemo as an "empathetic warrior."

I think the thing that has always made me happy is being in the struggle, in a community of struggle with other people.

I think what's been true across the board is the universal patriarchy, the fear of women ever being born back into complete sexuality and life-force. This manifests itself in different cultural variances, but that's really what's going on everywhere.