I don't get tired, because every time a woman doesn't die or doesn't get beaten or doesn't get raped or doesn't get honor-killed or doesn't get acid-burned, it's a huge victory.

Be transparent as wind, be as possible and relentless and dangerous, be what moves things forward without needing to leave a mark, be part of this collection of molecules that begins somewhere unknown and can't help but keep rising. Rising.Rising. Rising.

There's an underlying puritanicalness in America that is not that different to the prudishness of Britain - it just manifests itself in different ways.

In America, we have to really be working on two fronts right now. Immediately, we have to be rising in resistance and protecting our Muslim brothers and sisters [and] every marginalized person under threat and siege. At the same time, we have to be planning and envisioning where we're going. How we build moments and movements, how we come up with the vision we want of a progressive left - that's what comes in after.

Anorexia was my attempt to have control over my body and manipulate my body and starve my body and shape my body. It was not a very good relationship. It was the sort of relationship my father had to my body. It was a tyrannical, "you'll do what I tell you" relationship.

It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.

Dance is holy, sexual, and it's a way of being very powerful and a little dangerous without being violent.