I think it was a realization of this cancer, an understanding of the broader implications of what cancer is. The greed, the ravaging of lands and seas for profit, the taking of things that don't belong to us; what we've done to the environment in this fast-paced, careless hunger. I think all of that was happening in my body.

Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.

For many years now, I feel like my own body struggle has been linked and connected with women I meet in the world. I think we're in this together.

If you are connected to your own internal being, it is very hard to be screwing and destroying and hurting another human being, because you’ll be feeling what they’re feeling. If you’re separated, it’s not a hard thing to do at all.

I'd stop calling it "chemotherapy." I'd call it "transformational juice." Infusion suites would become "transformational suites" or "journey rooms."

There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."

…find freedom, aliveness, and power not from what contains, locates, or protects us, but from what dissolves, reveals, and expands us.