I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.

Women are the primary resource of the planet. They give birth, we come from them. They are mothers, they are visionaries, they are the future. If we can figure out how to make women feel safe and honor women, it would be parallel or equal to honoring life itself.

Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.

Unless men are active allies, we'll never end violence against women and girls.

What I believe is that we have this extraordinary spirit inside ourselves, which for me is our Buddha nature. I believe we are in the process of opening and getting closer and closer to our Buddha nature and stripping away all that is covering it. I don't think I'm going to end up meeting this one being up there or out there.

I think culture is where things change in us deeply. But right now, I think that people are very traumatised. They are very scared. Having grown up in a house with a perpetrator who was violent every day and terrorising every day, I feel like that this country is suddenly very much like the house and the family I grew up in. Every day we are glued to our phones, glued to our television; "What is this psychopath going to do next? How will he embarrass us? Who will he bully or hurt or humiliate today? It's so easy to get locked into a syndrome where the perpetrator is ruling your life.

What I have found is that even when you try to transform existing structures they are so powerful they often overwhelm, seduce, and control you.