When I was younger I felt very disempowered, very disappeared. I felt worthless, like I had no right to exist. I think a good part of my life was spent recovering from that. Pulling myself out of that.

Dancing in public spaces and moving your body freely in a public space is reclaiming what was taken from you when you were violated. The energy of that - you can't capture it, you can't own it. Capitalists can't buy it.It can't be sold. It can't be monetized. And that's why I think it's so powerful.

Go so far away that you stop being afraid of not coming back.

It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.

I think it was a realization of this cancer, an understanding of the broader implications of what cancer is. The greed, the ravaging of lands and seas for profit, the taking of things that don't belong to us; what we've done to the environment in this fast-paced, careless hunger. I think all of that was happening in my body.

When you listen to other women’s stories, you begin to understand your own better, and you begin to find ways back through and with each other.

The clitoris is pure in purpose. It is the only organ in the body designed purely for pleasure.