If you look at capitalism and patriarchy, they're both such hierarchical, competitive, oneupmanship systems. They've trained us all [to think] that power means having all the goods or having the most money or having the most attention or having the most fame. That's not the power that interests me. Actually, the deconstruction of that power is what interests me.

I have been a depressed person most of m life. I was always in the throes of self-hatred.

Dancing in public spaces and moving your body freely in a public space is reclaiming what was taken from you when you were violated. The energy of that - you can't capture it, you can't own it. Capitalists can't buy it.It can't be sold. It can't be monetized. And that's why I think it's so powerful.

Real security is contemplating death, not pretending it doesn't exist.

This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.

Three of the ten principles governing the City of Joy are (a) tell the truth, (b) stop waiting to be rescued, and (c) give away what you want the most.

I wake up every day and I think, 'I'm breathing! It's a good day.'