I'm a nomad. I have a place in New York in the Flatiron District, and I have a place in Paris in Ile Saint-Louis, and I spend a lot of time in Congo.

With the Gulf spill, I absolutely merged in the time when I had that infection. I couldn't get out of the Gulf spill. There were so many similarities: the drains and the siphoning and the tubes. And also in the way the earth was hurt, the ocean was bleeding. Remember the video cams of the oil gushing? I couldn't stop watching that.

Looking at it, I started crying. Maybe it was knowing that I had to give up the fantasy, the enormous life consuming fantasy , that someone or something was going to do this for me – the fantasy that someone was coming to lead my life, to choose direction, to give me orgasms.

Look, you do everything in stages, right? I don't think everything happens at once. There are so many layers we are constantly chipping away at, down and down and down, closer and closer to what would be the body. I think what happened with cancer, was that I woke up out of nine hours of surgery and I was body. I was just body.

When I wrote 'The Good Body,' I turned 40 and suddenly had this stomach. It seemed like the end of the world. Because I didn't value my body. I was constantly judging it, but I also didn't live in it.

Geography does not define you - love does.

What I feel now is connected to people. I feel connected and I feel a lot of love for people. I feel the possibility of what building social movements and what working together in struggle creates. Whatever that energy is, it feels a lot better than what I felt when I was younger - which was worthless and disconnected and isolated and alone.