I'm a nomad. I have a place in New York in the Flatiron District, and I have a place in Paris in Ile Saint-Louis, and I spend a lot of time in Congo.

I live with that contradiction daily. It is a constant struggle. I struggle very deeply. I don't think I've said this to anyone, but I've wondered if I just want to give up this world and live in the Congo and just be there. But I don't think that's what they need from me.

I can only describe it as: the whole experience was imprinted on my body. And when I started to write it, it just came from such a very, In The Body of the Worldvery physical... it just came from my body. I don't know how to explain it better than that. I guess my head was transmitting it. It was a very, very physical experience writing this book.

I think we have to get bolder. Why after Fukushima didn't we all go out and shut down all the nuclear power plants and stay there until it happened?

There is a global epidemic where one out of three women will be beaten or sexually assaulted in their lifetimes? How are we going to build a future of love and connection? And why would this not be of utmost concern to men?

People need to dance. I'd say dance at least twice a day. That's how to get your energy up and how you keep you revolutionary spirit going. It's Emma Goldman who said, "Any revolution where I can't dance is not my revolution." I think that's the revolution we want.

If you were around in the '60s, you already know that music and art and love are a critical part of the revolution. This is how we fight.