Mainly I was able to perform with music - I played the French horn, I would sing, and I was a drummer in the pipe band. So I think it was a way to show off.

The beautiful thing about it is that no two directors or actors work the same way. You also learn not to be afraid of discussion and conflict.

I think you know, to not open your mind to television is silly because there's so much good work happening on television.

I don't like being told that's where you, you know, if you walk on set and somebody was "okay, you're here and you're going to walk over there on this line." And my reaction is always how do you know? How do you know that's what I'm going to do? How do any of us know?

Producing good stuff can be quite tough, and it involves a lot of frustration, but I always like things to be jolly and happy, and I forget thats actually not the point at the end of the day.

I can't know what I'm going to do before I'm in front of the lens. And I think that sort of makes it exciting.

I like the idea of being a sculptor. Just me alone, making something - that solitary existence.